Off-Space Travels / Oliver Basciano
If you arrive during one of the city’s typical squalls, the Bridgeton area of Glasgow appears, superficially at least, a bleak kind of place. There is a whole road fenced off for demolition, and – apart from a pair of Strathclyde’s finest walking the beat, some kids playing around the Bridgeton Umbrella (a Victorian bandstand...
Art Review / Future Greats
When I first encountered Dan Miller’s work, he was producing a number of sculptures and small collages for a forthcoming show at artist led space +44 141, in Glasgow. One of these meticulously assembled works on paper,Camouflage Structure (2007), contains a disruptive pattern incorporating two faun like figures, one slightly increased in scale as though...
The Atrocity Exhibition
The David Dale Gallery and Studios is housed in an old college building in deepest, darkest Bridgeton, Glasgow. Later this month the gallery brings together Glasgow-based artists Alec Mackenzie and Dan Miller in a two man show called POINT/LINE/SURFACE/SOLID. The Skinny quizzed them on what to expect. Quite different in their approach, and in many...
Lilah Fowler & Dan Miller / London
Lilah Fowler’s sculptures are made of cool steel folded into hard diamond shapes, which jut out like immaculate aeroplane debris, though their origins seem to lie in mathematical formulas. Dan Miller also has a thing for minimalism and maths. His sparse canvasses sport symmetrical compositions of dots, lines and polygons. Curator Oliver Basciano has paired...
Art Review / Glasgow International 2010
Down an industrial back road, opposite the Modern Institute’s new space (the Jim Lambie show was still being set up when I popped my head round: very colourful was all I could make out), is a series of rail arches, one of which has been commandeered by the artist-run organisation SWG3 as a project space....
The Skinny / Showcase
Dan Miller’s works meticulously pursue duplicities, mapping their inherent mutations. Through a variety of forms and materials including painting, collage and sculptural installation, Dan produces and re-produces facsimiles of his own and appropriated works. In Still Life 2008 (above) he takes two ‘paint-your-own’ canvases, working simultaneously on both, mark for mark, carrying out a chain...
